Shoots and films first. Then the channels that carry them.

Every shoot starts on paper. We write the brief, script the story and plan the shots before anyone picks up a camera, so the day on location is about performance and light, not guesswork.

Production

Three ways to work together.

  • Start here

    Half-day shoot

    Operators who want fresh footage and a first look at working with us.

    We join one of your tours or activities and capture what happens, with no heavy staging.

    What is included
    A tour catamaran running beneath the sea cliffs of the Nā Pali Coast
  • The core offer

    Single-day shoot

    Operators who want a hero film or a campaign's worth of content.

    One planned day with a small, elite crew and a small cast, built on a brief, script and shot list.

    What is included
    A guest riding a zipline high above the rainforest, blue sky behind
  • For larger stories

    Multi-day production

    Operators and brands telling a larger story or launching something.

    Multiple days and locations with a full crew and cast, planned end to end.

    What is included
    Kayaks on a winding river below green mountains, seen from a drone
Social media management

The retainer.

Content that gets shot is only half the job. We plan, schedule, caption and manage your channels so the film you invest in keeps working, and the audience it builds turns into reservations.

What the retainer covers

  • Content planning and scripting
  • Scheduling and captions
  • Community management
  • Influencer and brand partnership management
  • Performance reporting

Shoots feed the content engine. The retainer keeps your channels working between shoots, so each film and photo set keeps earning bookings long after the day on location.

Influencer management

Creators who already have your guests' trust.

The right creator puts your operation in front of people who already trust them. We find the creators, manage the collaboration from first message to final post, and track what it brings in.

Our process

Written before it is shot.

  1. Conversation

    We learn your operation, your guests and what you want them to feel.

  2. Brief and story

    We write the brief, the story idea and the script.

  3. Plan

    Shot list, mood board, schedule and cast, all shared with you before the day.

  4. Shoot

    A small crew on location; we direct, you run your tour.

  5. Edit and review

    We cut the film and the reels, and you review them.

  6. Delivery and plan

    Final files, plus a plan for how the content gets used. Management clients continue into the retainer.

What we need from you: access to the tour or location, a schedule we can plan around, and approvals at the brief and the edit.

Who we work with

Operators who sell a feeling.

  • Boat and water tours

    Catamarans, snorkel trips, sunset sails and dive boats. We capture the deck, the water and the moment the coast comes into view.

  • Land adventures

    ATV, zipline, horseback and similar. We capture the red dirt, the first run and the look on a guest's face at the end of the line.

  • Events and markets

    Festivals, markets and gatherings. We capture the crowd, the makers and the atmosphere that brings people back next time.

  • Wellness and fitness

    Retreats, studios and outdoor fitness. We capture the place, the practice and how people feel when they leave.

  • Nonprofits and conservation

    Restoration projects and community work. We capture the people doing it and the story that moves supporters to act.

Questions operators ask

All questions

How long from booking to delivery?

It depends on the offer. A half-day shoot is usually on the calendar within a couple of weeks and the first edits follow a couple of weeks after. Single-day and multi-day productions are planned around your season, and the timeline is set in the brief.

What do you need from me on shoot day?

Access to the tour or location, a schedule we can plan around, and a point of contact on the day. We direct, you run your tour. Guests are never asked to do anything beyond what they came for.

Who owns the footage, and where can I use it?

Ownership and usage are stated in each offer and written into the agreement before we shoot. Talent releases are handled for anyone who appears in the work.

Can you shoot during my busy hours without disrupting guests?

Yes. Half-day shoots are built for exactly that: we join a tour that is already running and capture what happens, with no heavy staging. For planned shoots we work the schedule out with you first.

Tell us about your operation.

Share what you run and what you want guests to feel. We'll tell you how we would film it.

No pitch decks. A conversation about your operation first.